The Rate Of Youth Gangs Essay - 1744 Words

When I moved from Sudan and came to the United States, I landed in a rough area of Philadelphia, PA. I remember the first day I attended school in the United States. One thing that caught my attention at school was that different groups of students will often get together and fight against each other. This was different for me due to the fact that in Sudan (as far as I remember), people fought one on one and I was not exposed to gangs back home. Since I was new to the country and my English was very bad, I was vulnerable to being bullied. In fact, I was bullied. I was tired of being a victim and was so interested in joining one of the gangs for protection. Then, I realized that these gangs were involved in all sort criminal activities which discouraged me from joining one of the gangs in school. In this paper, I will first discuss the rate of youth gangs and some of their contributions to violence. Second, I will discuss three reasons for youth gang membership. When we think of the word gangs we usually don’t see an image of youth in our heads, we automatically tend to see an image of male adults with tattoos, guns, drugs, etc. However, this is not always the case; some gang members are also juveniles. A data from Denver s self-reported youth survey alone, found that 47 percent of gang members were ages 12 to 14, 31 percent were ages 15 to 16, and 22 percent were ages 17 to 18. (Robert, Herbert, Scott, 2016) When looking at the number of active youth gangs nationally,Show MoreRelatedGang Violence And The United States1470 Words   |  6 PagesGangs have been a part of American culture in the United States since the early 19th century when immigrant youth organized themselves into street gangs as a means of urban and economic survival. Today, gang violence has reached an almost catastrophic level in the United States. Criminal street gangs have become one of the most serious crime problems in California. Gang violence accounts for o ne of the largest personal threats to public safety for nearly all the cities in this state. Salinas, CaliforniaRead MoreHigh Risk Youth : A Public Health Approach By Doctor Dawn Delfin Mcdaniels1368 Words   |  6 Pages206, 20% of all homicides in Urban areas could be attributed to gang violence (McDaniels, 2012). One notable characteristic of gang membership in the United States, is that youth who join gangs are more likely to engage in assault, robbery, felony theft, and breaking and entering, than their non-gang peers (Hill, et al., 2001). The lack of proper parental supervision in communities with high risk factors such as high poverty rates, is closely associated with delinquent behaviors in juveniles. ItRead MoreThe Issue Of Crimes Committed By Gang Affiliates Is A Topic1686 Words   |  7 PagesThe issue of crimes committed by gang affiliates is a topic that involves criminal investigations. 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There is a need for initiatives to be created to reduce the numbersRead MoreJuvenile Gangs Essay980 Words   |  4 PagesFinal Project Andrew Rodriguez CJ150 Kaplan College Mr. Templeton August 30.2012 Juvenile gangs have become a serious and growing problem in many areas throughout the U.S. It is unlikely that gang control strategies can be successful as long as legitimate economic alternatives are lacking. I will be exploring the possible proactive solutions to this social problem. Juvenile gangs on the street and in prison â€Å"Violent crimes committed by juveniles are not diminishing, as other crimesRead MoreCanadian Gangs Essay1330 Words   |  6 Pagesthe definition of a youth gang member. 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We will utilize law enforcement and other emerging resources, to engineer intervention solutions for those at risk of gang membership and those alreadyRead MoreWhy Gangs Can Be Harmful At Risk Youth1623 Words   |  7 PagesGangs are not a new phenomenon, or a new problem. Gangs have been around for a long time, and will continue to grow and transform throughout the world. I have viewed gangs in a negative manner, and have carried a false misconception of wh at exactly a gang is. Television and media is partially to blame for society’s view on gangs and gang violence. Today, there are dozens of â€Å"reality† television shows about gangs. It is no surprise the information that we take in through television on the topic ofRead MoreOperation Ceasefire : A Problem Oriented Policing Intervention1701 Words   |  7 PagesAbstract Operation Ceasefire is a problem-oriented policing intervention aimed at reducing youth homicide and youth firearms violence in Boston. Project design began in 1995 and it was implemented in 1996. It is based on the â€Å"pulling levers† deterrence strategy that focuses criminal justice attention on a small number of chronically offending gang-involved youth responsible for much of Boston’s youth homicide problem. This paper will explore the problem Operation Ceasefire is trying to solve andRead MoreNot All Street Gangs Were Formed For Ill Doing1745 Words   |  7 PagesNot all street gangs were formed for ill doing. Many people might think down on the creation of gangs but it is a part of survival in their region. Street gangs, which pull peers into gangs for protection and social status, assemble to protect their neighborhood, family and friends from other street gangs thus causing rising crime rate and innocent people dying because of this. First off, there are a few definitions for gangs because authorities had a hard time explaining what a gang even is. â€Å"Walter

Terrorism Is Global Issue That Have Occurred Around The...

Terrorism are global issue that have occurred around the world. It happened between countries and countries or even in the civil wars. Because of venerating the religious beliefs, some terrorists groups used terrorism to defense and propagandize their goal to the world. Until now, Al-Qaeda and their allies are known as one of the strongest and dangerous terrorist groups. They were killing people who showed opposed ideas over their beliefs; furthermore, in their religious ideal, the terrorists groups believed that the more people they killed, the closer they come to God. Because American have freedom lifestyle and this lifestyle are opposed to Al-Qaeda opinions and American go to Middle Eastern to profit fuel and resources, American become the main target of Al-Qaeda. In 9/11 Al-Qaeda attacked US and after their attack, Al-Qaeda become nightmare of every nation in the world. Before 9/11, Al-Qaeda already launched the terror in the United States but American did not recognize the dange rous of terrorism, so they did not improve and tighten the security until the attack on September 11. According to 3 concepts that were stated in the book of Patrick C. Coaty about terrorism: Terrorism and International Environment, Terrorism and The State, and Terrorism and The Individual, people can be aware of how danger terrorism is and therefore set up a good plan to avoid terrorism or at least protect themselves from not becoming victims of the terror. The attack on 9/11 was not the firstShow MoreRelatedIs The Pre Emptive Use Of Force Against Terrorism Lawful? Essay1071 Words   |  5 PagesIS THE PRE-EMPTIVE USE OF FORCE AGAINST TERRORISM LAWFUL? INTRODUCTION Is the pre-emptive use of force against terrorism lawful? This has become one of the major topics of discussion within the international system. 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Nirupama Nityanandan a snake in her hair Essay Example For Students

Nirupama Nityanandan: a snake in her hair Essay Ive been on stage since the age of 10. The smell of makeup, dressing rooms, sweat, costumes in their boxes for months, the smell of the stage its so familiar, so strangely similar everywhere in the world, muses Indian-born actress Nirupama Nityanandan. How can there be people who dont know those things? What strange creatures we are! Watching Nityanandan as Queen Rani in the Guthrie Theater of Minneapoliss American premiere of Garish Karnads Naga Mandala (Play with a Cobra), its quite obvious that she is the most exacting, exotic creature on stage. Her movement is flawless and reveals some deeply ingrained training, some knowledge of the body that sets her apart from the other actors. She invites a cobra into her hair, and makes it move even though its only a ribbon around her arms and face like an animal with an agenda. The play, which ran on the Guthrie main stage from July through September under Garland Wrights direction, is a combination of Indian folktales about Rani and her vain husband Appanna, or Anyman. Naga, the Cobra, falls in love with Rani and disguises himself as Appanna to wend his way into her bed each evening. Rani, who has never slept with the real Appanna, becomes pregnant and is charged with adultery. The two narrators of Naga Mandala the Playwright and the Story have contending ideas about how to resolve this tangle of husband, wife and snake. The Playwright invokes tragedy and doom: Rani is cleared of the charges, but Naga is crushed by a rock. The Story opts for a brand of not-unhappy resignation: The snake survives to live out his days, clandestinely, in Ranis hair. But it is Rani, Appanna and Naga not the narrators who must endure each alternative, learn by experience which of the resolutions works and which doesnt. Their lives are transformed into an array of possibilities. The Playwright and Story dictate, but the actors make it live. Nityanandan likes Minnesota. Last season she appeared in a succession of Greek tragedies at the Brooklyn Academy of Music under the direction of her mentor and friend, Ariane Mnouchkine, but experiencing New York did not prepare her for her first glimpse of the space in the middle of this country. Pathologically adaptable   Its so big, she says. Ive liked being here in Minneapolis what one does in a place means why you stay. I feel completely comfortable staying here. Im pathologically adaptable; its one of my strengths, and weaknesses. What Nityanandan does is a product of a passionate education in Bharatanatyam, a classical Indian dance technique, which she studied for many years in Madras. I started learning to dance because it was a dream of my mothersI think it threw her a bit that I took her dream so seriously. She was only 20 when she won a year-long theatre scholarship in France. Paris proved to be the right city, at the right time. Ariane Mnouchkine, artistic director of the acclaimed Theatre du Soleil, found Nityanandan at an audition, a meeting which would mean more to the young performer than just international recognition. She helped me discover what I already knew, the actress says. Nityanandan shares some of the cultural obstacles Garish Karnad experienced in writing Naga Mandala: While my past had come to my aid with a readymade narrative within which I could contain and explore my insecurities, the playwright says, there had been no dramatic structure in my own tradition to which I could relate myself. Nityanandan faced a similar conundrum, and under Mnouchkines direction, she bloomed. Ariane said I had a method when I worked. She showed me how everyone has their own processes. .u5b972c77b92e9495e40df076364ee4ed , .u5b972c77b92e9495e40df076364ee4ed .postImageUrl , .u5b972c77b92e9495e40df076364ee4ed .centered-text-area { min-height: 80px; position: relative; } .u5b972c77b92e9495e40df076364ee4ed , .u5b972c77b92e9495e40df076364ee4ed:hover , .u5b972c77b92e9495e40df076364ee4ed:visited , .u5b972c77b92e9495e40df076364ee4ed:active { border:0!important; } .u5b972c77b92e9495e40df076364ee4ed .clearfix:after { content: ""; display: table; clear: both; } .u5b972c77b92e9495e40df076364ee4ed { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5b972c77b92e9495e40df076364ee4ed:active , .u5b972c77b92e9495e40df076364ee4ed:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5b972c77b92e9495e40df076364ee4ed .centered-text-area { width: 100%; position: relative ; } .u5b972c77b92e9495e40df076364ee4ed .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5b972c77b92e9495e40df076364ee4ed .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5b972c77b92e9495e40df076364ee4ed .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5b972c77b92e9495e40df076364ee4ed:hover .ctaButton { background-color: #34495E!important; } .u5b972c77b92e9495e40df076364ee4ed .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5b972c77b92e9495e40df076364ee4ed .u5b972c77b92e9495e40df076364ee4ed-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5b972c77b92e9495e40df076364ee4ed:after { content: ""; display: block; clear: both; } READ: "Romeo and Juliet"   EssayNityanandan discovered that her own method was closely linked to the classical training of her early years, but dance was merely a framework, a tool to access a more worldly, dramatic self. She taught me to listen carefullyvery, very carefully, with as simple an ear as possibleto myself and others, Nityanandan says with a sweeping gesture. But always keep your terrain of despair fertile; recognize where you are in the world, recognize your despair and keep working efficiently toward what you are to become. How words resound   Nityanandans native language is English, but her ear lends itself to other tongues. She can understand four Indian dialects, and speak one reasonably well. Acting in French, she says, was particularly revealing. When you speak a foreign language, already you cant recognize yourself which is the first step in transforming yourself. You pay more attention to how the words resound. Naga Mandala is the first time she has acted in English. I tended to take the text for granted, Nityanandan admits. I didnt give the words much attention. Paradoxically, though Rani his relatively few lines, she seemed to dominate the entire play. Why is that? How did this delicate performer, so at home with a snake coiled in her hair, become so powerful a presence? Well, Ive had a tremendous amount of luck, the actress responds modestly. She casts around for the anecdote, the hook, the definitive illustration of her talent that the interviewer is seeking. For Nityanandan, however, it has been a history of tiny, incremental steps. She doesnt have an anecdote. And she leaves it at that.